BernheimV1, Main, Exploration, bibRecord, 000205

Musical Hypnosis: Sound and Selfhood from Mesmerism to Brainwashing

Identifieur interne : 000205 ( Main/Exploration ); précédent : 000204; suivant : 000206

Musical Hypnosis: Sound and Selfhood from Mesmerism to Brainwashing

Auteurs : James Kennaway

Source :

Social History of Medicine [ 0951-631X ] ; 2011.

RBID : PMC:3338126

Abstract

Summary

Music has long been associated with trance states, but very little has been written about the modern western discussion of music as a form of hypnosis or ‘brainwashing’. However, from Mesmer's use of the glass armonica to the supposed dangers of subliminal messages in heavy metal, the idea that music can overwhelm listeners' self-control has been a recurrent theme. In particular, the concepts of automatic response and conditioned reflex have been the basis for a model of physiological psychology in which the self has been depicted as vulnerable to external stimuli such as music. This article will examine the discourse of hypnotic music from animal magnetism and the experimental hypnosis of the nineteenth century to the brainwashing panics since the Cold War, looking at the relationship between concerns about hypnotic music and the politics of the self and sexuality.

Url:

http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3338126

DOI: 10.1093/shm/hkr143
PubMed: NONE
PubMed Central: 3338126

Affiliations:

Le document en format XML

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Serveur d'exploration Hippolyte Bernheim

Musical Hypnosis: Sound and Selfhood from Mesmerism to Brainwashing

Musical Hypnosis: Sound and Selfhood from Mesmerism to Brainwashing

Source :

Abstract

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	Serveur d'exploration Hippolyte Bernheim
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